TOWARD A DEFINITION OF POPULAR CULTURE
Identifieur interne : 000B44 ( Main/Exploration ); précédent : 000B43; suivant : 000B45TOWARD A DEFINITION OF POPULAR CULTURE
Auteurs : Holt N. ParkerSource :
- History and Theory [ 0018-2656 ] ; 2011-05.
English descriptors
- KwdEn :
Abstract
The most common definitions of popular culture suffer from a presentist bias and cannot be applied to pre‐industrial and pre‐capitalist societies. A survey reveals serious conceptual difficulties as well. We may, however, gain insight in two ways. 1) By moving from a Marxist model (economic/class/production) to a more Weberian approach (societal/status/consumption). 2) By looking to Bourdieu's “cultural capital” and Danto's and Dickie's “Institutional Theory of Art,” and defining popular culture as “unauthorized culture.”
Url:
DOI: 10.1111/j.1468-2303.2011.00574.x
Affiliations:
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<front><div type="abstract" xml:lang="en">The most common definitions of popular culture suffer from a presentist bias and cannot be applied to pre‐industrial and pre‐capitalist societies. A survey reveals serious conceptual difficulties as well. We may, however, gain insight in two ways. 1) By moving from a Marxist model (economic/class/production) to a more Weberian approach (societal/status/consumption). 2) By looking to Bourdieu's “cultural capital” and Danto's and Dickie's “Institutional Theory of Art,” and defining popular culture as “unauthorized culture.”</div>
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